forked from logenkain/criticalsarcasm
Add connecting religion and art
This commit is contained in:
parent
e086a16fcc
commit
0aeab47a05
200
school_essays/essays/Birth_City_of_the_Renaissance.html
Normal file
200
school_essays/essays/Birth_City_of_the_Renaissance.html
Normal file
@ -0,0 +1,200 @@
|
|||||||
|
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
|
||||||
|
<html>
|
||||||
|
<head>
|
||||||
|
<meta http-equiv="content-type" content="text/html; charset=utf-8"/>
|
||||||
|
<title></title>
|
||||||
|
<meta name="generator" content="LibreOffice 6.0.5.2 (Linux)"/>
|
||||||
|
<meta name="created" content="2018-01-05T14:03:39.991112897"/>
|
||||||
|
<meta name="changed" content="2018-04-27T11:48:46.152009224"/>
|
||||||
|
<style type="text/css">
|
||||||
|
@page { margin: 1in }
|
||||||
|
p { margin-bottom: 0.1in; line-height: 120% }
|
||||||
|
a:link { so-language: zxx }
|
||||||
|
</style>
|
||||||
|
</head>
|
||||||
|
<body lang="en-US" dir="ltr">
|
||||||
|
<div title="header">
|
||||||
|
<p align="left" style="margin-bottom: 0.2in; line-height: 100%">BIRTH
|
||||||
|
RENAISSANCE <sdfield type=PAGE subtype=RANDOM format=PAGE>0</sdfield></p>
|
||||||
|
</div>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Birth
|
||||||
|
City of the Renaissance</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Joseph
|
||||||
|
J. Green</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Northern
|
||||||
|
Arizona University</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%; page-break-before: always">
|
||||||
|
<font face="Times New Roman, serif"> Florence was the birthplace of
|
||||||
|
the Renaissance and was important to the genesis of the Renaissance
|
||||||
|
for many reasons. Florence was in a unique position due to its strong
|
||||||
|
economy, its focus on art, and its support of the individual. Due to
|
||||||
|
the many unique features of Florence, it is no surprise that it would
|
||||||
|
be the city to give birth to the Renaissance.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Florence
|
||||||
|
managed to create some of the most wealthy families in Europe.
|
||||||
|
Florence had an exceptionally wealthy upper and middle class of
|
||||||
|
merchants and bankers. Much of this wealth can be attributed to the
|
||||||
|
relative peace that the Italian peninsula enjoyed at the time, and
|
||||||
|
its relatively early trade with the East. In fact, Florence was so
|
||||||
|
economically strong, their currency, the gold florin, was
|
||||||
|
internationally recognized. With wealth, typically, comes desires to
|
||||||
|
use it to expand upon the pleasures of life (Harris and Zucker,
|
||||||
|
n.d.). At the time of the Renaissance, those pleasures often included
|
||||||
|
literature and art which are two subjects generally associated with
|
||||||
|
the Renaissance, such expenditures must have contributed to the birth
|
||||||
|
of the Renaissance. It was also around this time that the banking
|
||||||
|
Medici family, who, for a time, had the most profitable family
|
||||||
|
business in all of Europe, came to power (Lenihan, 2008).</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Florence
|
||||||
|
also had an exceptionally high influence on the development of art.
|
||||||
|
It was during this time that Giotto di Bondone entered the art scene,
|
||||||
|
and revolutionized art by making art in a completely new way. He
|
||||||
|
created art that focused on being more naturalistic to the human
|
||||||
|
form. He and his contemporaries formed a “thriving artistic
|
||||||
|
community that responded to the great demand for art and literature
|
||||||
|
in the growing city” (Getty.edu, 2013). The Medici family had a
|
||||||
|
great interest in arts and literature, so it should come to no
|
||||||
|
surprise that they contributed greatly to the development of the
|
||||||
|
Renaissance. When they first came to true political power under the
|
||||||
|
leadership of Cosimo il Vecchio, Cosimo spent much of his wealth
|
||||||
|
improving the culture of Florence. One of his major accomplishments
|
||||||
|
was creating the largest library in Europe. His library included many
|
||||||
|
works from across the world including that of Greek sources, such as
|
||||||
|
the works of Plato. He also created the Platonic Academy, and
|
||||||
|
patronized Marsilio Ficino who would go on to create the first Latin
|
||||||
|
edition of the collected works of Plato. Aside from his major
|
||||||
|
contributions to literature and intellect, he also focused heavily on
|
||||||
|
art. He supported artists such as Ghiberti, who created The Gates of
|
||||||
|
Paradise, Brunelleschi, who, among many other wonders of his ability
|
||||||
|
as an architect, successfully designed a dome to top the Florence
|
||||||
|
Cathedral, Donatello, who sculpted a bronze David, Alberti, another
|
||||||
|
architect, who contributed to various measurement systems, Fra
|
||||||
|
Angelico, who’s fresco paintings are rated among the best of
|
||||||
|
Italian art, and Ucello, who was an imaginative painter and a
|
||||||
|
designer for stained glass (Galileo.rice.edu, n.d.;Artic.edu,
|
||||||
|
2007;Oneonta.edu, n.d.;Browarny, n.d.;Hood, n.d.;The J. Paul Getty in
|
||||||
|
Los Angeles, n.d.). While the culture was certainly flourishing
|
||||||
|
anyway, the Medici family clearly had an eye for talent, and became a
|
||||||
|
huge contributor to the development of art in the Renaissance. With
|
||||||
|
talent such as this, it is no wonder how Florence became the cultural
|
||||||
|
and humanist center of Europe.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Another
|
||||||
|
unique aspect of Florence was its focus on individuality and respect
|
||||||
|
for the individual. Florence was a republic, a place where individual
|
||||||
|
freedom was guaranteed, and many citizens had a right to participate
|
||||||
|
in the government. Florence also had a high literacy rate compared to
|
||||||
|
other European countries of the time (Lenihan, 2008). The people of
|
||||||
|
Florence took great pride in their government and feared losing it to
|
||||||
|
threats from Milan, who was ruled by dukes with absolute power, and
|
||||||
|
the Kingdom of Naples (Harris and Zucker, n.d.). Such freedom and
|
||||||
|
focus on individuality must have been the proper recipe to allow
|
||||||
|
Florence to flourish as the center of rebirth for Europe. Under a
|
||||||
|
harsh reign, as was common during the fall of feudalism, it is hard
|
||||||
|
to believe that the people would have been able to accumulate the
|
||||||
|
wealth and power necessary to focus their attention on cultural
|
||||||
|
development. If the people suffered harsh restrictions on trade, or
|
||||||
|
if the people were repressed from expressing their creativity, how
|
||||||
|
could they possibly become the center of cultural revolution?</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Would
|
||||||
|
the Renaissance have happened were it not for the unique advantages
|
||||||
|
found in Florence? Possibly, but there is no question that Florence
|
||||||
|
managed to accelerate that movement. The wealth and relative peace of
|
||||||
|
the people contributed no small amount to the ability of the people
|
||||||
|
to focus their attention on things beyond the struggle to stay alive.
|
||||||
|
Wealth that was then used to contribute vastly to the arts and
|
||||||
|
literacy which allowed people of renowned talent to come to fruition.
|
||||||
|
People who continue to challenge the best of what we have to offer,
|
||||||
|
in their respective disciplines, today. The freedom that the people
|
||||||
|
of Florence enjoyed must have contributed greatly to the people’s
|
||||||
|
ability to obtain wealth and spend it on the arts, as well as being a
|
||||||
|
necessary catalyst to the development of humanism. With boons such
|
||||||
|
as these, there is little wonder how Florence could be considered the
|
||||||
|
genesis of the Renaissance.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%; page-break-before: always">
|
||||||
|
<br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">RESOURCES</font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman">Browarny, L. <i>Leone
|
||||||
|
Battista Alberti: Defining Humanist Architecture</i>. <i>Academia.edu</i>.
|
||||||
|
Retrieved 27 April 2018, from
|
||||||
|
https://www.academia.edu/321161/Leone_Battista_Alberti_Defining_Humanist_Architecture</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>Donatello's
|
||||||
|
David</i>. <i>Oneonta.edu</i>. Retrieved 27 April 2018, from
|
||||||
|
https://www.oneonta.edu/faculty/farberas/arth/arth213/donatello_david.html</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>Fillipo
|
||||||
|
Brunelleschi</i>. <i>Galileo.rice.edu</i>. Retrieved 27 April
|
||||||
|
2018, from
|
||||||
|
http://galileo.rice.edu/lib/student_work/florence96/jyoti/brun.html</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>Florence at the
|
||||||
|
Dawn of the Renaissance (Getty Center Exhibitions)</i>.
|
||||||
|
(2013). <i>Getty.edu</i>. Retrieved 27 April 2018, from
|
||||||
|
https://www.getty.edu/art/exhibitions/florence/</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman">Harris, B., &
|
||||||
|
Zucker, S. <i>Florence in the Early Renaissance</i>. <i>Khan
|
||||||
|
Academy</i>. Retrieved 27 April 2018, from
|
||||||
|
https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/florence-in-the-early-renaissance</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman">Hood, W. <i>Fra
|
||||||
|
Angelico at San Marco | Yale University Press</i>. <i>Yalebooks.yale.edu</i>.
|
||||||
|
Retrieved 27 April 2018, from
|
||||||
|
https://yalebooks.yale.edu/book/9780300057348/fra-angelico-san-marco</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman">Lenihan, T.
|
||||||
|
(2008). <i>Medici Patronage &amp; Italian Renaissance
|
||||||
|
Art</i>. <i>Academia.edu</i>. Retrieved 27 April 2018, from
|
||||||
|
https://www.academia.edu/7384443/Medici_Patronage_and_Italian_Renaissance_Art</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>Paolo Uccello
|
||||||
|
(Italian, about 1397 - 1475) (Getty Museum)</i>. <i>The J. Paul
|
||||||
|
Getty in Los Angeles</i>. Retrieved 27 April 2018, from
|
||||||
|
https://www.getty.edu/art/collection/artists/13825/paolo-uccello-italian-about-1397-1475/</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>The Galileo
|
||||||
|
Project | Galileo | Patrons | Medici Family</i>. <i>Galileo.rice.edu</i>.
|
||||||
|
Retrieved 27 April 2018, from http://galileo.rice.edu/gal/medici.html</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>The Gates of
|
||||||
|
Paradise: Lorenzo Ghiberti's Renaissance Masterpiece</i>.
|
||||||
|
(2007). <i>Artic.edu</i>. Retrieved 27 April 2018, from
|
||||||
|
http://www.artic.edu/aic/exhibitions/ghiberti/themes.html</font></font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
</body>
|
||||||
|
</html>
|
BIN
school_essays/essays/Birth_City_of_the_Renaissance.odt
Normal file
BIN
school_essays/essays/Birth_City_of_the_Renaissance.odt
Normal file
Binary file not shown.
121
school_essays/essays/Birth_City_of_the_Renaissance_notes.html
Normal file
121
school_essays/essays/Birth_City_of_the_Renaissance_notes.html
Normal file
@ -0,0 +1,121 @@
|
|||||||
|
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
|
||||||
|
<html>
|
||||||
|
<head>
|
||||||
|
<meta http-equiv="content-type" content="text/html; charset=utf-8"/>
|
||||||
|
<title></title>
|
||||||
|
<meta name="generator" content="LibreOffice 6.0.5.2 (Linux)"/>
|
||||||
|
<meta name="created" content="2018-01-05T14:03:39.991112897"/>
|
||||||
|
<meta name="changed" content="2018-04-27T09:41:24.408726633"/>
|
||||||
|
<style type="text/css">
|
||||||
|
@page { margin: 1in }
|
||||||
|
p { margin-bottom: 0.1in; line-height: 120% }
|
||||||
|
a:link { so-language: zxx }
|
||||||
|
</style>
|
||||||
|
</head>
|
||||||
|
<body lang="en-US" dir="ltr">
|
||||||
|
<div title="header">
|
||||||
|
<p align="left" style="margin-bottom: 0.2in; line-height: 100%">TITLE
|
||||||
|
OF PAPER <sdfield type=PAGE subtype=RANDOM format=PAGE>0</sdfield></p>
|
||||||
|
</div>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Title
|
||||||
|
of Paper</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Sub
|
||||||
|
Title</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Joseph
|
||||||
|
J. Green</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Northern
|
||||||
|
Arizona University</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%; page-break-before: always">
|
||||||
|
<br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Respond
|
||||||
|
to the items below. Be sure to give reasons and examples to back up
|
||||||
|
any claims you make. </font>
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">----What
|
||||||
|
city was the birthplace of the Renaissance?</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">----Why
|
||||||
|
was this city important in the genesis of the Renaissance? </font>
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> </font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Florence
|
||||||
|
was the birthplace of the Renaissance</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Strong
|
||||||
|
Economy</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Wealthy
|
||||||
|
upper and middle class (KHAN)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Bankers
|
||||||
|
(KHAN)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Eastern
|
||||||
|
trade (academia)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Internationally
|
||||||
|
recgonized currency (academia)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Strong
|
||||||
|
art</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Giotto
|
||||||
|
di Bondone – naturalistic approach (getty)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Medici
|
||||||
|
family was ruling at the time, they had art interest (RICE)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> When
|
||||||
|
they first took over, they amassed the largest liberary in europe and
|
||||||
|
invested in art (RICE)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> The
|
||||||
|
artists supported by Cosimo included Ghiberti, Brunelleschi,
|
||||||
|
Donatello, Alberti, Fra Angelico, and Ucello. (RICE)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> </font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">The
|
||||||
|
individual</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Respect
|
||||||
|
of the individual (KAHN)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Encuraged
|
||||||
|
humanism (KAHN)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Literacy
|
||||||
|
rate high, center of humanist learning (ACADAMEY)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%; page-break-before: always">
|
||||||
|
<br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">RESOURCES</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"><a href="https://www.getty.edu/art/exhibitions/florence/">https://www.getty.edu/art/exhibitions/florence/</a></font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"><a href="https://www.academia.edu/7384443/Medici_Patronage_and_Italian_Renaissance_Art">https://www.academia.edu/7384443/Medici_Patronage_and_Italian_Renaissance_Art</a></font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"><a href="http://galileo.rice.edu/gal/medici.html">http://galileo.rice.edu/gal/medici.html</a></font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"><a href="https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/florence-in-the-early-renaissance">https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/florence-in-the-early-renaissance</a></font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
</body>
|
||||||
|
</html>
|
BIN
school_essays/essays/Birth_City_of_the_Renaissance_notes.odt
Normal file
BIN
school_essays/essays/Birth_City_of_the_Renaissance_notes.odt
Normal file
Binary file not shown.
@ -107,6 +107,16 @@ Encoded Memories [<a href="http://criticalsarcasm.com/school_essays/essays/Encod
|
|||||||
|
|
||||||
<BR>
|
<BR>
|
||||||
</P>
|
</P>
|
||||||
|
<h3>Connection Religion And Art</h3>
|
||||||
|
|
||||||
|
<P>
|
||||||
|
Birth City Of The Renaissance Notes [<a href="http://criticalsarcasm.com/school_essays/essays/Birth_City_of_the_Renaissance_notes.html">HTML</a>] [<a href="http://criticalsarcasm.com/school_essays/essays/Birth_City_of_the_Renaissance_notes.odt">ODT</a>]
|
||||||
|
|
||||||
|
<BR>
|
||||||
|
Birth_City Of The Renaissance [<a href="http://criticalsarcasm.com/school_essays/essays/Birth_City_of_the_Renaissance.html">HTML</a>] [<a href="http://criticalsarcasm.com/school_essays/essays/Birth_City_of_the_Renaissance.odt">ODT</a>]
|
||||||
|
|
||||||
|
<BR>
|
||||||
|
</P>
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
|
Loading…
x
Reference in New Issue
Block a user