Add Culture in Film; add all index.html updates
This commit is contained in:
logen
parent
6ca0809a52
commit
8dadc6f5d5
@ -0,0 +1,154 @@
|
|||||||
|
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
|
||||||
|
<html>
|
||||||
|
<head>
|
||||||
|
<meta http-equiv="content-type" content="text/html; charset=utf-8"/>
|
||||||
|
<title></title>
|
||||||
|
<meta name="generator" content="LibreOffice 6.0.5.2 (Linux)"/>
|
||||||
|
<meta name="created" content="2018-01-05T14:03:39.991112897"/>
|
||||||
|
<meta name="changed" content="2018-03-23T16:16:44.469497530"/>
|
||||||
|
<style type="text/css">
|
||||||
|
@page { margin: 1in }
|
||||||
|
p { margin-bottom: 0.1in; line-height: 120% }
|
||||||
|
h2.cjk { font-family: "Arial Unicode MS" }
|
||||||
|
h2.ctl { font-family: "Arial Unicode MS" }
|
||||||
|
</style>
|
||||||
|
</head>
|
||||||
|
<body lang="en-US" dir="ltr">
|
||||||
|
<div title="header">
|
||||||
|
<p align="left" style="margin-bottom: 0.2in; line-height: 100%">HIGH
|
||||||
|
NOON ON THE WATERFRONT <sdfield type=PAGE subtype=RANDOM format=PAGE>0</sdfield></p>
|
||||||
|
</div>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">High
|
||||||
|
Noon on the Waterfront and the Red Scare</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Joseph
|
||||||
|
J. Green</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Northern
|
||||||
|
Arizona University</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%; page-break-before: always">
|
||||||
|
<font face="Times New Roman, serif"> The endings of the films “High
|
||||||
|
Noon” and “On the Waterfront” are both a product of their
|
||||||
|
times. They have highly significant themes that seem to be an echo of
|
||||||
|
the battle between communism and capitalism, or more precisely, the
|
||||||
|
mob and the individual. It’s also clear that if both these films
|
||||||
|
were similar to fables, where the goal is to have some special moral
|
||||||
|
to teach people, that we would find them to be very similar. Though,
|
||||||
|
both films seem to come across it in slightly different ways.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> At
|
||||||
|
the end of “High Noon”, our <i>hero</i><span style="font-style: normal">,
|
||||||
|
if you will, Will Kaine has a showdown with his enemy Fred Miller and
|
||||||
|
his gang. Ultimately, Kaine wins the fight and prepares to ride off
|
||||||
|
in</span><span style="font-style: normal">to </span><span style="font-style: normal">the
|
||||||
|
sunset. It is in this scene where Kaine represents how being an
|
||||||
|
individual, despite </span><span style="font-style: normal">how</span><span style="font-style: normal">
|
||||||
|
others may behave, is how to win the lady and save the day. Prior,
|
||||||
|
it was made clear that the townsfolk wanted nothing to do with this
|
||||||
|
fight. A few were ready to jump for a gun </span><span style="font-style: normal">at
|
||||||
|
first</span><span style="font-style: normal">, but the rest of the
|
||||||
|
community managed to talk them out if it. </span><span style="font-style: normal">They
|
||||||
|
</span><span style="font-style: normal">decid</span><span style="font-style: normal">ed</span><span style="font-style: normal">
|
||||||
|
that it would be better for Kaine to simply leave town, and that it
|
||||||
|
would be </span><span style="font-style: normal">better</span><span style="font-style: normal">
|
||||||
|
for both Kaine and the town. However, Kaine stood his ground, he
|
||||||
|
wasn’t ready to give up, and as the individual in defiance to the
|
||||||
|
mob, he won the day. This idea was further illustrated when his wife,
|
||||||
|
who had previously adopted the Quaker religion in an effort to swear
|
||||||
|
away violence at any cost, decided to think for herself, instead of
|
||||||
|
simply following the thoughts of her religion, and help Kaine by
|
||||||
|
killing one of the men when she had the chance. Both Kaine and his
|
||||||
|
Wife decided to pursue the concept of the individual and won, </span><span style="font-style: normal">in
|
||||||
|
spite of the mob.</span><span style="font-style: normal"> The clear
|
||||||
|
moral of the story here is that people should do what they believe is
|
||||||
|
right, even if it’s against the consensus of the mob.</span></font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> At
|
||||||
|
the end of, “On the Waterfront” Terry Malloy, after having been
|
||||||
|
beaten up by the boss, Johnny Friendly, and his gang. was encouraged
|
||||||
|
to stand up and walk to the docks to work. The significance here was
|
||||||
|
to inspire the men to go work for themselves, that they didn’t need
|
||||||
|
the union bosses to tell them who can and can’t work, and that they
|
||||||
|
didn’t need to stay D&D (deaf and dumb). That they could do an
|
||||||
|
honest days work, and get an honest days pay. That they should do
|
||||||
|
what’s right, instead of falling in with the mob. We again see the
|
||||||
|
rise of individualism in defiance to the group, or capitalism beating
|
||||||
|
out communism. They even have the union boss say, “The ones who
|
||||||
|
work, are the ones I pick,” further trying to tell the audience
|
||||||
|
that this is what communism looks like, and how it will never win
|
||||||
|
against capitalism. The moral-like ending here is almost the same as
|
||||||
|
that of “High Noon”, the mob isn’t always right, don’t just
|
||||||
|
go along with whatever they are doing, do the right thing.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Well,
|
||||||
|
as it has been shown, if we think of things in terms of a fable with
|
||||||
|
a specific moral, they both seem to be saying the same thing. “The
|
||||||
|
individual is the right thing.” Which, of course, is about as far
|
||||||
|
from the ideas of communism that you can get. One of the main
|
||||||
|
differences in the endings, though, is that “On the Waterfront”
|
||||||
|
has a bit of a happier ending. Here, our main character ends up
|
||||||
|
helping the community by being willing to stand up for what’s
|
||||||
|
right. Almost being a martyr, as several others were before him.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> In
|
||||||
|
the case of “High Noon”, we’re led to believe that Fred Miller
|
||||||
|
and his gang may cause trouble for the town, with no evidence.
|
||||||
|
Perhaps this was a criticism of McCarthyism? Either way, we are
|
||||||
|
outright told that violence in the town will be bad for the town’s
|
||||||
|
ability to get funding from the northern states, as it’ll stain
|
||||||
|
their reputation. Furthermore, it is made clear that there likely
|
||||||
|
will be no violence if Kaine leaves the town. Kaine, having refused
|
||||||
|
to leave town and pursue his fight there, doomed the town by giving
|
||||||
|
it a worse reputation by having killing in the streets. Then, after
|
||||||
|
he finishes, he prepares to leave town. All he did was destroy the
|
||||||
|
hopes of the town and leave. A sad ending indeed, alowing a horrible
|
||||||
|
person to get away with his misdeeds. In both cases, however, the
|
||||||
|
message of the time was clear. Communism is bad and will lose,
|
||||||
|
capitalism is good and will win.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> So
|
||||||
|
what’s the moral of the story in these two “red scare” era
|
||||||
|
films? “Communism is scary and we should purge it from our country
|
||||||
|
before it dooms us all.” The films certainly find somewhat
|
||||||
|
different ways to describe that message, but it’s there in both “On
|
||||||
|
the Waterfront” and “High Noon”. The films clearly demonstrate
|
||||||
|
how mob rule will only lead to chaos, and end on a similar moral note
|
||||||
|
of the wonders of the individual and the horrors of the mob.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"><br/>
|
||||||
|
</font><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<h2 class="western" align="left" style="font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal; line-height: 200%; page-break-before: always">
|
||||||
|
<font color="#000000"><font face="Times New Roman">References</font></font></h2>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in; font-variant: normal; letter-spacing: normal; font-style: normal; font-weight: normal">
|
||||||
|
<font color="#000000"><font face="Times New Roman"><i>High Noon</i>.
|
||||||
|
(1952). [film].</font></font></p>
|
||||||
|
<p style="margin-left: 0.2in; text-indent: -0.2in; margin-bottom: 0.08in">
|
||||||
|
<font face="Times New Roman"><span style="font-variant: normal"><font color="#000000"><span style="letter-spacing: normal"><i><span style="font-weight: normal">On
|
||||||
|
the Waterfront</span></i></span></font></span><span style="font-variant: normal"><font color="#000000"><span style="letter-spacing: normal"><span style="font-style: normal"><span style="font-weight: normal">.
|
||||||
|
(1954). [film].</span></span></span></font></span></font></p>
|
||||||
|
</body>
|
||||||
|
</html>
|
||||||
Binary file not shown.
@ -0,0 +1,134 @@
|
|||||||
|
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
|
||||||
|
<html>
|
||||||
|
<head>
|
||||||
|
<meta http-equiv="content-type" content="text/html; charset=utf-8"/>
|
||||||
|
<title></title>
|
||||||
|
<meta name="generator" content="LibreOffice 6.0.5.2 (Linux)"/>
|
||||||
|
<meta name="created" content="2018-01-05T14:03:39.991112897"/>
|
||||||
|
<meta name="changed" content="2018-03-23T15:27:01.326757648"/>
|
||||||
|
<style type="text/css">
|
||||||
|
@page { margin: 1in }
|
||||||
|
p { margin-bottom: 0.1in; line-height: 120% }
|
||||||
|
</style>
|
||||||
|
</head>
|
||||||
|
<body lang="en-US" dir="ltr">
|
||||||
|
<div title="header">
|
||||||
|
<p align="left" style="margin-bottom: 0.2in; line-height: 100%">TITLE
|
||||||
|
OF PAPER <sdfield type=PAGE subtype=RANDOM format=PAGE>0</sdfield></p>
|
||||||
|
</div>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Title
|
||||||
|
of Paper</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Sub
|
||||||
|
Title</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Joseph
|
||||||
|
J. Green</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Northern
|
||||||
|
Arizona University</font></p>
|
||||||
|
<p align="center" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%; page-break-before: always">
|
||||||
|
<font face="Times New Roman, serif">Let’s do High Noon, and On the
|
||||||
|
Waterfront</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">High
|
||||||
|
noon ending. There was a gunfight, and Kaine won.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">With
|
||||||
|
no evidence they accused Miller of coming to town to do bad things.
|
||||||
|
Also, to kill Kaine, with no evidence</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">intro</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">1
|
||||||
|
High Noon. Significance. Fable. Sum moral. Ending reflect era</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> There
|
||||||
|
was a gunfight where kaine one and Mrs.s Kaine contributed to the
|
||||||
|
fight.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Mrs.
|
||||||
|
Kaine decided to do what she thinks is right, not just follow her
|
||||||
|
religion.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> In
|
||||||
|
defiance against the townsfolk, Kaine fought his battle</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> This
|
||||||
|
scene is significant as it shows a fight betwwen an individual
|
||||||
|
(capitalisim) and a mob (communisim)</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Were
|
||||||
|
this a fable, the moral may be, do what you believe is right, even if
|
||||||
|
the crowd is against it. The mob isn’t always right.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">2
|
||||||
|
On the Waterfront. Significance. Fable. Sum moral Ending reflect era</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Terry
|
||||||
|
Malloy, after having been beaten up by the bosses, decided to stand
|
||||||
|
up and walk to the docks to get to work and inspire the rest of the
|
||||||
|
men to work without the bosses being involved. Presumably disbanding
|
||||||
|
the union, or at least, the one run by Johnny Friendly, and going to
|
||||||
|
work directly at the docks.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> The
|
||||||
|
significance is that, again, we see individualism standing out from
|
||||||
|
mob rule. We also see a bit of anti-comunism in the idea of Johhny
|
||||||
|
saying “The ones who work, are the ones I pick”</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> The
|
||||||
|
fablely ending is similar to high noon. The mob isn’t always right,
|
||||||
|
do the right thing.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">3
|
||||||
|
Compare endings</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif"> Well,
|
||||||
|
as it has been shown, if we think of things in terms of a fable with
|
||||||
|
a specific moral, they both seem to be saying the same thing. The
|
||||||
|
individual is a good thing. Which, of course, is about as far from
|
||||||
|
the ideas of communisim that you can get. One of the main differences
|
||||||
|
in the endings, though, is that “On the Waterfront” has a bit of
|
||||||
|
a happier ending. Here, our main character ends up helping the
|
||||||
|
community by being willing to stand up for what’s right. In the
|
||||||
|
case of “High Noon”, we’re led to believe that Fred Miller and
|
||||||
|
his gang may cause trouble for the town, but we are outright told
|
||||||
|
that violence in the town will be bad for the town and that there
|
||||||
|
won’t be violence if Will Kaine would only leave the town. Kaine,
|
||||||
|
having refused to leave town and pursue his fight there, doomed the
|
||||||
|
town by giving it a worse reputation by having killing in the
|
||||||
|
streets. Then, after he does it, he prepares to leave town. All he
|
||||||
|
did was destroy the hopes of the town, and then leave. A sad ending
|
||||||
|
indeed, with a horrible person getting off for his misdeeds. In
|
||||||
|
either case, the message of the time was clear. Communisim is bad,
|
||||||
|
it’s capitalisim that wins.</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">outro</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><br/>
|
||||||
|
|
||||||
|
</p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">Sources:</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">The
|
||||||
|
damned movie</font></p>
|
||||||
|
<p align="left" style="margin-bottom: 0in; line-height: 200%"><font face="Times New Roman, serif">The
|
||||||
|
other damned movie</font></p>
|
||||||
|
</body>
|
||||||
|
</html>
|
||||||
Binary file not shown.
@ -142,6 +142,16 @@ Cross Cultural Confusions [<a href="http://criticalsarcasm.com/school_essays/ess
|
|||||||
<BR>
|
<BR>
|
||||||
</P>
|
</P>
|
||||||
|
|
||||||
|
<h3>Culture In Film</h3>
|
||||||
|
|
||||||
|
<P>
|
||||||
|
High Noon On The Waterfront And The Red Scare Notes [<a href="http://criticalsarcasm.com/school_essays/essays/High_Noon_on_the_Waterfront_and_the_Red_Scare_notes.html">HTML</a>] [<a href="http://criticalsarcasm.com/school_essays/essays/High_Noon_on_the_Waterfront_and_the_Red_Scare_notes.odt">ODT</a>]
|
||||||
|
|
||||||
|
<BR>
|
||||||
|
High Noon On The Waterfront And The_Red_Scare [<a href="http://criticalsarcasm.com/school_essays/essays/High_Noon_on_the_Waterfront_and_the_Red_Scare.html">HTML</a>] [<a href="http://criticalsarcasm.com/school_essays/essays/High_Noon_on_the_Waterfront_and_the_Red_Scare.odt">ODT</a>]
|
||||||
|
|
||||||
|
<BR>
|
||||||
|
</P>
|
||||||
|
|
||||||
|
|
||||||
</body>
|
</body>
|
||||||
|
|||||||
Loading…
x
Reference in New Issue
Block a user